I hate to say it.. but hip hop is dead or its dying a slow and painful
death. It's yet another art form that has been severely corrupted by the
Big Willies of the world. Why do I say this? I got to thinking about
this the other day when I stumbled upon an old Big Daddy Kane lp and I
began listening to it.. It got me traveling down memory lane and pretty
soon I was pulling out all sorts of music from a by gone era. Kool G Rap
& DJ Polo hit my tables...old school EPMD hit the tables... Old Super
Lover Cee and Casanova Rudd hit the tables..Old NWA and Ice T blew out my
speakers Old Roxanne Shante hit the tables.. I even went back it dropped
some Stezo on the techniques.. It seemed like to me after listening to
these artists who were really in full stride between '89-'92 that their
material was far better and more creative then the material on the
shelves today.. Hip Hop back then seemed to have a certain flair and a
certain vitality that is lacking today in '97. Oh yeah, there are some
good songs... but very few good hip hop albums..
It seems like artists aren't hungry any more and the moves they make are
calculated business decisions designed to net them some maximum returns
for their dollar.. I can't fault one for trying to get paid in '97... Why
shouldn't you get some loot for the things you create... especially when
everyone else is getting paid..? However, hip hop has really lost its edge.
Hip Hop artist made the big mistake by not resurrecting their own media
outlets... They became too dependent upon the commercial stations in
their market to play their material and take their careers to the next
level.. What they didn't realize was that radio while working them for
the moment always stayed focused on its own agenda.. Hence you take a
station like ours...KMEL.. Two years ago we found ourselves playing a
lot of local rap groups.. It worked for us.. It helped keep us number
one.. But when the winds of change came.. we found ourselves not playing
the locals folks and moving in a different direction.. It was what we as
a station had to do to maintain our dominant position.. A lot of the
local artists began raising a fuss.. 'Why are you abandoning us?' they would whine... All of a sudden you would see one of two reactions..
Either the artists got totally pissed off at the station or they would
show up and basically ask for the formula so they could go home and
construct a record for the radio.. What a sad move..
It's killing hip hop because the artists have handed the guardianship
and the music to folks who have never really had an interest for the
music until it became necessary for them to keep a number one rating..
You can't fault anyone at a commercial station.. that's what they're
supposed to do.. Stay up and know about the latest trends and be able to
present them to their target audience.. If only more rap artists knew
that then you wouldn't have such glaring mistakes happening... Here's an
example.. When KRS-One released his last lp.. The first singles weren't
leaked to those die hard KRS-One fans on community and college radio..
They were released to commercial DJs.. Some of whom didn't even own a
KRS-One lp.. His record label flew a bunch of people out for a huge
listening party in New York.. None of them were the die hard fans who had
his 7 previous lps. I recall running into Kris when he came to the
station and he asked me why I hadn't gone to his lp release party.. I
told him I was never issued an invitation... But there were folks who did
go who didn't even recognize the South Bronx beat that Puffy sampled for
his R&B group Total... This incident was not unique to KRS-One.. It
happens all the time...
What often happens is that label executives will do things for key
commercial DJs in order to maintain a good relationship. So even though
KRS-One may not have been the staple artist for some of the commercial
jocks who were flown to his listening party.. the decision set the stage
for other product from other artists on that label later down the road..
The people left sitting down and scratching their heads were all those
KRS-One fans who couldn't understand why they couldn't get the interview
much less invited to his stellar listening party.
I use this example to make a point that hip hop has a bad habit of
killing itself off by not reinvesting in the very things that help give
it it's start... Far too many artist get caught up in the vapors of the
industry that they don't take some practical steps like getting their own
venues to perform shows, Developing their own insurance, security and
sound companies for these shows. They don't try and set up their own
video shows.. and they don't invest in radio stations that they have
continual access to.... Hence when I say hip hop is dead... I mean that
its creativity has been squelched and that its become more of a
business... Everything seems so contrived and calculated with the overall
objective of netting big bucks and not necessarily to satisfy an artistic
desire or to please fans.. What's even more ironic and sad about this
situation is that there seems to be a new breed of hip hoppers who are
determined to 'keep it real'.. Their goal seems to keep hip hop situated in the underground.. However, that in itself seems contrived and at best
a futile effort.. I hate seeing rich kids with loot in their pocket
pretending to be poor and bummy talking about they're trying to keep it
real.. I hate seeing kids from the proverbial suburbs running around
trying their best to adapt a negative 'ghetto mentality' all under the guise of keeping it real.. Even worse are the pseudo experts who run
around and some how try to politicize and philosophy the actions of hip
hop artists in ways that have no connection to the realities of the
artists they're supposedly 'down with'.. You know the type...? It's the
kid who runs around talking about revolution and tearing down the
establishment... but then won't share any resources, power or
incorporate the perspectives and concerns of the hip hoppers who hail
from the inner city.
So what's it gonna take to bring hip hop back? It's a hard question to
answer... Whatever the method use to achieve this.. I firmly believe it
will have to be rooted in hip hop becoming independent of these outside
business controlled mediums.. It will also have to take some hug steps
and start maturing... There are far too many within hip hop who refuse to
grow up and take on the responsibility of protecting and defining what we
create...Too many of us are making a living off the music and culture and
not reinvesting back... It's something to think about...
c February 1997
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