hate to say it.. but hip hop is dead or its dying a slow and painful
death. It's yet another art form that has been severely corrupted by the
Big Willies of the world. Why do I say this? I got to thinking about
this the other day when I stumbled upon an old Big Daddy Kane lp and I
began listening to it.. It got me traveling down memory lane and pretty
soon I was pulling out all sorts of music from a by gone era. Kool G Rap
& DJ Polo hit my tables...old school EPMD hit the tables... Old Super
Lover Cee and Casanova Rudd hit the tables..Old NWA and Ice T blew out my
speakers Old Roxanne Shante hit the tables.. I even went back it dropped
some Stezo on the techniques.. It seemed like to me after listening to
these artists who were really in full stride between '89-'92 that their
material was far better and more creative then the material on the
shelves today.. Hip Hop back then seemed to have a certain flair and a
certain vitality that is lacking today in '97. Oh yeah, there are some
good songs... but very few good hip hop albums..
It seems like artists aren't hungry any more and the moves they make are
calculated business decisions designed to net them some maximum returns
for their dollar.. I can't fault one for trying to get paid in '97... Why
shouldn't you get some loot for the things you create... especially when
everyone else is getting paid..? However, hip hop has really lost its edge.
Lets look at Hip Hop in the following ways.. First you have a greedy,
unfeeling, exploitative industry that has made moves which has led to hip
hop being less creative.. The first area to peep is sampling.. Back in
the Golden Age of hip hop '88-'92.. artists sampled whatever they wanted
seemingly to satisfy their creative endeavors.. One guy would take a
James Brown grunt..loop it with an Earth Wind And Fire bassline and
complete the song with an Average White Band drum beat.. This sampled montage
led to the creation of some really good music..
Nowadays that's all changed.. Folks wanna get paid for what you sample..
Hence when an artist comes to the plate and starts creating they may find
themselves having to severely compromise. Yes.., I think artists who've
been sampled should get compensated.. But often times its not the artists
being sampled who are feverishly taxing today's hip hop artists.. It's
these publishing companies and in some cases record companies who have
brought up the rights to certain songs just so they could make money off
of the samples.. For example, you get a small NY based label like Tuff
City Records . The CEO Aaron Fuchs has gone out of his way to buy up the
rights to songs put out by a James Brown and others for the sole purpose
of being able to collect money from other artists who sample. You got
publishing companies who have gone out and hired kids to sit in a room
and listen to hip hop record after hip hop record for the sole purpose of
catching a snippet of the music contained in their catalogue.. You have
some companies that won't even let you sample from their catalogue and if
they do the cost is so much that it economically isn't worth it...
The problem gets laid out like this.. You get an artist like George
Clinton who is down for artist to sample him.. He feels it helps
revitalize his career.. The only problem he no longer holds the rights to
the popular songs people like to sample from ..Hence while George is with
the hip hop nation.. the people holding the rights to his songs are out
to make a killing.. The result is some artist sampling three different
songs... Each company approaches his label and demands some outrageous
sum plus 75% of the publishing for the use of that song. Pretty soon for
one song.. an artist has to pay 225% for the use of samples..plus some
crazy amount of money... and that's for one song. Hence he winds up
taking out all three samples.. and he resorts to replaying maybe one of
the songs... and he still has to pay for that... The end result is a song
that was nowhere like the original.. It lost its edge. Even groups who I
think have true intentions like The Roots or Original Gunn Clappazz and
numerous others lose their edge because the business of music forces them
compromise.... That's overall problem # 1 ... the sampling issue...
The second concern effecting hip hop involves the movers and shakers who
are heading some of these labels and making A&R decisions on behalf of a
group.. You get folks who will conversate with major radio stations and
video outlets all over the country. They wanna see what's it gonna take
for certain key stations to get behind a particular artist or song. The
radio folks will tell a record executive... That their targeted demo are
females between the ages of 21-30... The songs they play need to appeal
to that audience.. The record executives comes back and will either look
for a song on an lp that fits that criteria or strongly push the artist
on his label to construct one... Hence you start to see a lot of rap
records made specifically for the radio.. Folks will go and get a
familiar song and just loop the beat... and have someone rap over it...
There are too many artist to name who've gone that route.. Think Coolio
and Notorious BIG for starters.. Other artist will find themselves trying
to appease radio by getting someone to sing a hook... They're trying to
make the songs more melodic.. Don't get me wrong there's nothing wrong
with doing that...if that's how you are as an artist.. But when its a
calculated move designed to secure air play... hip hop inevitably loses
something...
Hip Hop artist made the big mistake by not resurrecting their own media
outlets... They became too dependent upon the commercial stations in
their market to play their material and take their careers to the next
level.. What they didn't realize was that radio while working them for
the moment always stayed focused on its own agenda.. Hence you take a
station like ours...KMEL.. Two years ago we found ourselves playing a
lot of local rap groups.. It worked for us.. It helped keep us number
one.. But when the winds of change came.. we found ourselves not playing
the locals folks and moving in a different direction.. It was what we as
a station had to do to maintain our dominant position.. A lot of the
local artists began raising a fuss.. 'Why are you abandoning us?' they would whine... All of a sudden you would see one of two reactions..
Either the artists got totally pissed off at the station or they would
show up and basically ask for the formula so they could go home and
construct a record for the radio.. What a sad move..
The mistake they made was not taking advantage of their 15 minutes of fame to began
empowering media outlets that would stick by them.. I witnessed many
local artists right here in the Bay Area who would by pass community
radio stations like KPOO who had always championed their music to come
directly to our station..These artists would bring jackets, bumper
stickers, treat us to pizzas and would feature our DJs in their upcoming
videos and record interludes.. Now from a station stand point that was
cool for us... The more publicity the better.. But for hip hop it meant
certain death because these artists had put all their eggs in one
basket.. They didn't take some of their juice and start singing the
praises of a KPOO where they would always have access.. They didn't make
heroes out of some of their local college jocks.. They didn't even have
the foresight to invest in their own video shows or magazines.. They
expected a multi-million dollar commercial entity to always be there for
them.. Heck a lot of these artists didn't even invest and buy stocks held
by our station.. The least they could've done and come and say.. 'Hey I
brought some Evergreen Media stock.. It's like so many artists get caught
up in trying to get their loot on via airplay or video play they stop
short of executing all the steps to an effective business plan.. The
result is ..it's killing hip hop.
It's killing hip hop because the artists have handed the guardianship
and the music to folks who have never really had an interest for the
music until it became necessary for them to keep a number one rating..
You can't fault anyone at a commercial station.. that's what they're
supposed to do.. Stay up and know about the latest trends and be able to
present them to their target audience.. If only more rap artists knew
that then you wouldn't have such glaring mistakes happening... Here's an
example..
When KRS-One released his last lp.. The first singles weren't
leaked to those die hard KRS-One fans on community and college radio..
They were released to commercial DJs.. Some of whom didn't even own a
KRS-One lp.. His record label flew a bunch of people out for a huge
listening party in New York.. None of them were the die hard fans who had
his 7 previous lps. I recall running into Kris when he came to the
station and he asked me why I hadn't gone to his lp release party.. I
told him I was never issued an invitation... But there were folks who did
go who didn't even recognize the South Bronx beat that Puffy sampled for
his R&B group Total... This incident was not unique to KRS-One.. It
happens all the time...
What often happens is that label executives will do things for key
commercial DJs in order to maintain a good relationship. So even though
KRS-One may not have been the staple artist for some of the commercial
jocks who were flown to his listening party.. the decision set the stage
for other product from other artists on that label later down the road..
The people left sitting down and scratching their heads were all those
KRS-One fans who couldn't understand why they couldn't get the interview
much less invited to his stellar listening party.
I use this example to make a point that hip hop has a bad habit of
killing itself off by not reinvesting in the very things that help give
it it's start... Far too many artist get caught up in the vapors of the
industry that they don't take some practical steps like getting their own
venues to perform shows, Developing their own insurance, security and
sound companies for these shows. They don't try and set up their own
video shows.. and they don't invest in radio stations that they have
continual access to.... Hence when I say hip hop is dead... I mean that
its creativity has been squelched and that its become more of a
business... Everything seems so contrived and calculated with the overall
objective of netting big bucks and not necessarily to satisfy an artistic
desire or to please fans.. What's even more ironic and sad about this
situation is that there seems to be a new breed of hip hoppers who are
determined to 'keep it real'.. Their goal seems to keep hip hop situated in the underground.. However, that in itself seems contrived and at best
a futile effort.. I hate seeing rich kids with loot in their pocket
pretending to be poor and bummy talking about they're trying to keep it
real.. I hate seeing kids from the proverbial suburbs running around
trying their best to adapt a negative 'ghetto mentality' all under the guise of keeping it real.. Even worse are the pseudo experts who run
around and some how try to politicize and philosophy the actions of hip
hop artists in ways that have no connection to the realities of the
artists they're supposedly 'down with'.. You know the type...? It's the
kid who runs around talking about revolution and tearing down the
establishment... but then won't share any resources, power or
incorporate the perspectives and concerns of the hip hoppers who hail
from the inner city.
So what's it gonna take to bring hip hop back? It's a hard question to
answer... Whatever the method use to achieve this.. I firmly believe it
will have to be rooted in hip hop becoming independent of these outside
business controlled mediums.. It will also have to take some hug steps
and start maturing... There are far too many within hip hop who refuse to
grow up and take on the responsibility of protecting and defining what we
create...Too many of us are making a living off the music and culture and
not reinvesting back... It's something to think about...